Rivers of ink, including a tiny bit of mine, have been written about Judy Chicago's seminal installation The Dinner Party. But it only recently occurred to me (duh) that for a project whose primary objective was the celebration of women's contribution to history, this is an extraordinarily non-inclusive piece. In fact, of the 39 place settings only one is dedicated to a non-white woman, African-American abolitionist and women's rights activist Sojourner Truth. The debate is a