The first lockdown was nothing short of surreal. And although we were all at home and terrified of not knowing what the heck was happening, I find that now many of us are unashamedly nostalgic about some of some of its unexpected benefits. Namely a world that was suddenly cleaner, quieter. A world where nature was liberated and allowed to have a renaissance. A world whose eerie stillness was possible because of the lack of human presence. This is story behind this fascinating

Violence against women and girls is a human rights violation and a public health epidemic. It occurs daily across the world and is widely underreported. Globally, an estimated 736 million women aged 15 and older have been subjected to some sort of physical, sexual or psychological violence at least once in their life. That's almost 1 in 3 of us. Thanks to the generosity of knitters from all social and cultural backgrounds, since 2015 Viva Vittoria has been covering Italy's mo

There are wounds so deep they never really heal. They are the wounds we share with other people, whether we know them or not, the wounds that remain open no matter how long it's been since they were inflicted. These wounds define us, they speak of who we are and where we come from. This is the story of one of these wounds. On the morning of Saturday 2 August, at 10:25am, a time bomb hidden in an unattended suitcase detonated inside Bologna railway station. The explosion was s

'Beauty is the main line to make people feel something.' - Richard Mosse It's easy to be fooled by the alluring colours of the striking photo chosen for the advertising poster of this superb exhibition at the MAST Foundation, but anyone who may have been misled by that imagery soon realises what the show is really about. Mosse is interested in the themes of war, displacement and migration, and with his camera he captures beauty and tragedy where there's conflict and destructi

"I try to make bright paintings, but every time I fall into the shadows, maybe because darkness is the ultimate condition of things, whereas light is only temporary." - Nicola Samori in an interview to Art Tribune Darkness and light. Oh how they coexist and engage in an epic struggle in Samori's striking body of work, which is uniquely atmospheric and haunting. It is clear he is a classically trained painter, and a very good one he is, too. His bold brushstrokes sweep across

As Italy goes into lockdown for the second time, the doors of the museums close again. And so we enter another month (?) of art starvation. Sigh. Luckily, last week I managed to squeeze in a visit to the Palazzo Fava exhibition, which traces the history of the Griffoni Polyptych, a 15th century masterpiece with a rather troubled history. This magnificent polyptych is a collaboration between two greats of the Ferrarese school, Francesco del Cossa and his talented pupil Ercole

"This Christ will never be forgotten. Was it made from earth? Was it rotting flesh? I didn’t know what the medium was […] The three Marys enraged by suffering, demented by the suffering […]. Can you imagine the petrified scream?’ - Gabriele d’Annunzio (1924) Remember the last time you saw an enraged, demented Mary? No, me neither. And that's because, with the Compianto sul Cristo Morto, Nicolò dell'Arca did the unthinkable. He took a sacred subject and then proceeded to treat