"When you see a gruesome picture over and over again, it really doesn’t have any effect." — Andy Warhol Warhol was an avid collector of newspapers, magazines and tabloids. He appropriated and manipulated the sometimes downright lurid news imagery to create his art, and this was the basis of his Death and Disasters series, which he started in 1962 (and which happens to be my favourite part of his oeuvre). Car crashes, people jumping to their deaths, race riots, as well as the

“Having an experience is taking part in the world. Taking part in the world is really about sharing responsibility.” – Olafur Eliasson I saw this dazzling installation in the Turbine Hall of Tate Modern, and I'd be lying if I said I remember what I experienced at the time - I'm drawing a blank. But for some 80 anti-war protesters, this humbling light-clad space became a stage on which they could voice their anger. It's 2003, American and British troops have invaded Iraq and P

"Political activity does not interfere with my work, it feeds it. And if I'm interested in racism and fighting racism, then that should show up—will show up—in my work.” - May Stevens A committed civil-rights activist and feminist, between 1967 and 1976 Stevens produced a series of paintings called Big Daddy, where she addressed and channelled her anger towards her own father's racist views. Painted at the end of that period, Dark Flag marks the 200th anniversary of the Decla

"I would never have any intention of accepting anything like that. I seriously don't know what it's for. " David Bowie, 2003 It's that time of year when the UK Cabinet Office Honours and Appointments Secretariat publishes the list of the recipients of the honours, of which some 2,000 are dished out every year. The honours system is designed to reward exceptional achievement or service, an entirely common and laudable practice. It's when we look at the titles that we realise t

Palm Springs is an odd place. It's a place of visual layers, a landscape that is both supremely monotonous and exceptionally soothing. Layers, I wouldn't know how else to describe them. The sizzling asphalt roads, the patches of perfectly-manicured lawns, the white walls of the low-rise houses, the skinny palm trees, the rocky backdrop of the San Jacinto mountains and, finally, the sky. I have seen it all turn pink at sunset and it was breathtaking. Those layers of clouds and

“Art washes away from the soul the dust of everyday life.” Pablo Picasso Dust. How many tonnes of dust are we currently covered in? Painful, heavy dust accumulated from the prolonged anxiety and uncertainty brought on by the pandemic. Infuriating, ugly dust thrown at us by corrupt and dangerously incompetent politicians day in, day out. Oh, and then there's the surreal, disquieting dust coming from across the pond (despite the good news that change is finally coming, of cour

As Italy goes into lockdown for the second time, the doors of the museums close again. And so we enter another month (?) of art starvation. Sigh. Luckily, last week I managed to squeeze in a visit to the Palazzo Fava exhibition, which traces the history of the Griffoni Polyptych, a 15th century masterpiece with a rather troubled history. This magnificent polyptych is a collaboration between two greats of the Ferrarese school, Francesco del Cossa and his talented pupil Ercole

"The Smog Collectors materialize the reality of the air we breathe. I place cut, stencilled images on transparent or opaque plates or fabric, then leave these on the roof of my studio and let the particulate matter in the heavy air fall upon them. After a period of time, from four days to a month, the stencil is removed and the image is revealed in smog." - Kim Abeles Since the beginning of the year, wildfires have burned over 4 million acres in California, with 5,000 firefig

I was researching a post that involved smog and plates (fear not, it's coming), when I came across photos of different plates. These are empty plates left by the people of Southend, a town in southeast England, in front of the local Tory HQ and Conservative Club as a sign of protest after their MP voted against feeding children most at risk of going hungry. For those who do not live in the UK, earlier this week the Labour party's motion on providing 1.4m disadvantaged childre

“We are at a precipice in this country, and we are either going to move forward or we are not.” - Carrie Mae Weems In 2016, nearly half of the eligible US voters opted to forgo one of their fundamental civil rights and did not vote. This means that over 100 million Americans were so irreconcilably disengaged from politics that they could not be bothered to have their say. Worryingly, a whopping 20% of this 100 million is planning to do the same this year. The reason? They are

Iconic, but not frozen in time - a garment that continues to evolve and fascinate. That is the premise of this show that traces the history, transformation and global influence of the Japanese kimono from the 17th century to these days. Over 300 stunning sartorial masterpieces that show us how the kimono, literally 'the thing to wear', went from everyday outfit in Japan to object of aesthetic inspiration and cultural appropriation in the West. Some of the Western tributes by

The overwhelming dominance of Artemisia Gentileschi's personal narrative over her worth as an artist has always bothered me. The rape, the trial, the struggles of being a female artist in the XVII century - of course it's all relevant, but I never thought it needed to define her work. I also took exception to the sensationalisation of her life story and the overly sexualised reading of part of her oeuvre at the expense of her artistic legacy. Until today. This dazzling show a

"During lockdown I moved to north Norfolk where my attention was captivated by the ancient trees that hold the space there so powerfully. Fascinated by the biological communication that trees have with each other, I began research into the magic of forests." - Annie-Rose Fiddian-Green Trees, the immortals. The one irrational theory my otherwise staunchly rational self insists on hanging on to. Their magic, their power, their interconnectedness - I immediately saw it in these

"I never was so utterly crushed to the earth before any human intellect as I was today before Tintoret." - wrote John Ruskin to his parents in 1845. This is a superb description of the effect Tintoretto has on you. Seeing his work doesn't just redefine your idea of painting, but also how you experience it. To stand in front of a Tintoretto even in the worst lit corner of a church is a hugely visceral and profoundly emotional affair. Your eyes dart across the canvas looking fo

Venice is, among many other wonderful things, synonymous with glass. The work of the Murano glassblowers has inspired countless artists to explore the possibilities of this fascinating medium and break the barriers of functionality to land into full-fledged artistic territory. Le Stanze del Vetro and the Fondazione Giorgio Cini on the Island of San Giorgio Maggiore present a superb show of 155 pieces and installations that trace the history of the American Studiio Glass throu

"This Christ will never be forgotten. Was it made from earth? Was it rotting flesh? I didn’t know what the medium was […] The three Marys enraged by suffering, demented by the suffering […]. Can you imagine the petrified scream?’ - Gabriele d’Annunzio (1924) Remember the last time you saw an enraged, demented Mary? No, me neither. And that's because, with the Compianto sul Cristo Morto, Nicolò dell'Arca did the unthinkable. He took a sacred subject and then proceeded to treat

"The wall is a monument to openness over enclosure, lightness over heaviness, transience over permanence — it’s also fraught with political meanings." - Héctor Zamora Oh the timeliness. Oh the metaphor. Oh the poetry. Oh the delight. Lattice Detour truly has it all. This wall, in fact, may well be the ultimate installation for a social space in 2020 America. A wall in America - the defining symbol of our (extremely messed up) times. A wall on the Met terrace, one of the most

" I want to open a space in people’s minds where they see that they can be active, intellectually and personally, rather than passive recipients of received ideas and prevailing worldviews." - Martha Rosler Martha Rosler (b. 1943) is perhaps best known for her seminal 1975 video performance Semiotics of the Kitchen, in which she flicks the finger at the patriarchal system by playing the role of a raging apron-clad housewife who menacingly wields kitchen implements while going

"Black women’s heads of hair are galaxies unto themselves, solar systems, moonscapes, volcanic interiors. The hair she paints has a mind of its own. It is sinuous and cloudy and fully alive. It is forest and ocean, its own emotional weather. We are compelled, always, by the phantasmagorical hair, which both invites and obscures. In these pictures, black women’s phantasmagorical hair is like smoke, but nothing is turning to ash. It is a non-consuming smoke, the mesmerizing bea

Painting is a visual language where everything in the painting is meaningful, is important, is coded. But sometimes, because of the compositional hierarchy, it's hard to see other things. - Titus Kaphar In 2017, Titus Kaphar hosted a TED talk whose title was "Can art amend history?" It's an impassioned speech during which he tells the story of how he first came to engage with art and some the struggles that went with it. Do look it up. While on stage, Kaphar unveils a copy h